DESIGN JOURNAL

Finding form in change

Lucine Yang in front of a stone wall
Lucine Yang, intuit geometrics

A line bends, and a space opens. In Tide of Becoming, Lucine Yang explores how a continuous curve can hold movement, memory and the possibility of change.

Her approach brings geometry and emotion into conversation. Proportion, asymmetry and the spaces between elements shape a piece that leaves room for personal meaning.

Different forms. One expression.

Concept illustration of three ivory spheres, two clear cubes and an amber pear form
Concept illustration

Three round diamonds, two square diamonds and one yellow pear-shaped diamond retain their distinct outlines. Lucine brings these differences together through spacing, direction and an asymmetric curve.

Movement, held in form.

Tide of Becoming design rendering with six diamonds
Design rendering
Concept illustration of a continuous gold curve
Concept illustration

The line rises and falls, suggesting both a wave and a smile. Open space allows the form to breathe. Viewed from another angle, its curves overlap and separate, revealing a different rhythm.

Changed, never erased.

Transformation does not require the past to disappear. A continuous curve connects what came before with what is still taking shape.

AI-generated illustration of a hand wearing Tide of Becoming against a dark brown leather bag
AI-generated wearing illustration

A form that becomes personal

The designer gives a piece its form. The wearer brings it into daily life, where it can accompany a new beginning or hold a memory. Meaning grows through that relationship.